Motown: Six Months That Shook The World

From autumn 1964 to spring 1965, Motown went from being a hit-making Detroit-based indie to a globally adored imprint. Discover this key period in pictures.

Published on

January 11, 2016

Jason Draper

Motown Revuew London October 1964 web optimised 1000

From autumn 1964 through to spring 1965, Berry Gordy’s Motown label went from being a hit-making Detroit-based indie in the US to a globally adored imprint securing No.1 hits both at home and abroad. Following the phenomenal success of Mary Wells’ ‘My Guy’ (a US No.1 and Motown’s first major UK hit) and a hat-trick of US chart-toppers from The Supremes, Motown hit the UK No.1 spot for the first time with the latter’s ‘Baby Love’, which topped the charts in November 1964, following its September release.

The stage was finally set for Motown to take the world by storm. In October ’64, Gordy’s finest launched their British invasion, with the likes of Mary Wells, The Temptations, The Supremes, The Miracles and Martha And The Vandellas decamping to the UK for the first time. Soul-starved fans in London greeted them like returning heroes, while The Supremes’ debut appearance on Top Of The Pops helped send ‘Baby Love’ to the top of the nationwide charts.

A mere five months later, the famed Motortown Revue officially hit London, as The Supremes, Stevie Wonder, Martha And The Vandellas and The Miracles, all backed by the Earl Van Dyke Sextet (which included members of Motown’s iconic house band, The Funk Brothers), embarked on a whirldwind tour of Europe. From a press reception at EMI’s Manchester Square headquarters, in London, to a final show at the Paris Olympia, on 13 April 1965, these live dates ensured that The Sound Of Young America had gone global.

The Revue’s final show was recorded and released later in 1965 as Recorded Live: Motortown Revue Live In Paris (which receives a reissue on 25 March via PledgeMusic), while this ground-breaking period in Motown’s history has been captured in a series of classic photos.

Here we’ve compiled some of the best, presenting Motown’s road to Olympia…

When The Supremes touched down in the UK in October 1964, they were greeted as hometown heroes. During one promotional photo shoot, they donned suits and re-created the iconic pose from The Beatles’ Please Please Me album cover (The Supremes’ 1964 LP, A Bit Of Liverpool, paid wider homage to the Merseybeat scene), and also posed for photos in the garden opposite EMI’s London headquarters on Manchester Square.