The 27-track set adds vault recordings, alternate takes and remixes, alongside two new colored-vinyl editions.
The expanded set adds four songs from the album era and six recordings from the band’s 2007 tour.
The release includes the concert film, a digital album and limited-edition colored vinyl.
The anniversary edition pairs a Smoky Sky Blue vinyl pressing with new artwork and a metallic foil cover.
The band says the song helped it explore new sonic directions while beginning work on its debut album.
The six-track release includes ‘LL50,’ a tribute to Nettspend’s late friend BloodHound Q50.
The single explores the uncertainty of falling for someone and deciding to take a chance.
The 14-track double-disc pairs seven choir-rooted live recordings with seven studio tracks and six guest artists.
The track follows ‘wasted time’ and draws on betrayal, darker production and Linkin Park.
Redman recorded the Sonny Rollins standard with pianist Kevin Hays, bassist Larry Grenadier, and drummer Marcus Gilmore.
Spanning jazz, country, hip-hop and soul music, the best gospel songs of all time prove that the spirit can move you, no matter what your tastes.
The 50th Anniversary 2LP black glitter anniversary edition of ‘One Size Fits All’ boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet.
Widely regarded as one of new wave’s key albums, ‘Outlandos D’Amour’ introduced The Police as virtuosos with enough aggression to appease the punks.
Topping the charts in the UK and reaching No.3 in the US, The Police’s ‘Ghost In The Machine‘ included several of the band’s most enduring hit singles.
Moving away from his avant-garde work, the ‘Clear Spot’ album marked one of Captain Beefheart’s more successful forays into commercial waters.
‘Who’s Making Love’ practically defined the ‘can’t trust a lover’ strain of soul and made Johnnie Taylor a Stax star during the label’s pivotal year.
With ‘Warm Leatherette,’ Grace Jones dragged the 70s into the 80s and defined the shape of the decade to come with a compelling take on New Wave.
Released on June 24, 1968, the self-produced album was not successful in the US, but has steadily grown in stature.
