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Ten Things We Learned From Watching ‘Heartbreakers Beach Party’

We dive into the long-lost 1983 Tom Petty and The Heartbreakers documentary, which also happened to be Cameron Crowe’s directing debut.

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Photo: Aaron Rapoport, Courtesy of UMe

Heartbreakers Beach Party, the long-lost 1983 Tom Petty and The Heartbreakers documentary, which also happened to be Cameron Crowe’s directing debut, is finally available. Newly restored with over 30 added minutes of bonus footage and new commentary from Crowe, Heartbreakers Beach Party will play in theaters for two nights on October 17 and 20, the latter being Petty’s birthday, with plans to arrive on Paramount+ in 2025.

For fans, Heartbreakers Beach Party is a fun time capsule. Filmed throughout 1982 and 1983 yet lost for years until a 16mm print was found earlier in 2024, the documentary follows Petty and his band as they record, promote, and tour behind their fifth studio album, the fan-favorite Long After Dark. In addition to Petty and Crowe, members of the Heartbreakers – Mike Campbell, Howie Epstein, Stan Lynch, and Benmont Tench – and collaborators including Stevie Nicks appear in the doc.

Heartbreakers Beach Party occupies a special place in my heart,” said Crowe. “I’m so happy we’re bringing it back in all its reckless glory.” Here’s what we learned from watching Heartbreakers Beach Party.

Christmas Music 2024 Playlist
Christmas Music 2024 Playlist
Christmas Music 2024 Playlist

Order the expanded edition of Tom Petty and The Heartbreakers’ Long After Dark now.

Petty met Elvis Presley on the set of Follow That Dream, which marked the beginning of his music career

Elvis’ 1962 movie was filmed in Florida, and a young Petty met the rock ‘n’ roll icon while visiting the set. The next day, Petty traded his favorite slingshot for a stack of Elvis 45s – and the rest was history. The documentary’s title is an homage to the beach-themed Elvis film and its influence on Petty.

“American Girl” was inspired by the Bo Diddley beat

The documentary features many intimate moments of Petty showing Crowe the origins of some of his most beloved songs. For “American Girl,” Petty revealed that the song started from a riff based on the classic Bo Diddley shuffle.

Hard Promises was a direct response to the band’s blockbuster success

Petty didn’t want to repeat himself on the follow-up to the incredibly successful Damn the Torpedoes. The result was the more down-to-earth 1981 album Hard Promises, where even the album cover reflected Petty’s reaction to his new celebrity.

The only person Petty ever asked for an autograph from was James Brown

One touching scene involved Crowe visiting Petty’s LA home and the two of them going through some of Petty’s old photos and collectibles. One of his most treasured photos featured a beaming Petty standing next to the Godfather of Soul.

Stevie Nicks was such a Petty fan that she asked him to collaborate with her

Petty confirmed in the film that Stevie Nicks of Fleetwood Mac was a fan of the band and asked him to write a song for her. That song ended up being “Insider,” but after Petty decided that he loved it too much to give it away, he wrote “Stop Draggin’ My Heart Around” to give to Nicks, which became a hit. The two still ended up dueting together on “Insider,” which appeared on Hard Promises.

When it came to songwriting, Petty felt that the hardest part was finding the right title

Petty rarely talked about his lyrics or what they meant, which made his discussions with Crowe in this documentary all the more fascinating. In the film, he shares that song titles are very important to him. Petty also talked about how he approached singing: The goal, always, was to simply make the song sound as believable as possible.

The “You Got Lucky” music video was inspired by Clint Eastwood westerns

The experimental music video treatment, which included all the Heartbreakers dressing up as sci-fi cowboys in the desert, was written by Petty like a proper screenplay. Even Mike Campbell’s strange guitar solo was meant to match the feel of an Ennio Morricone score.

Petty hated the “Jerry Lewis Syndrome” of his rock star peers

Never one for creating on-stage personas, Petty hated when other rock stars acted like they were playing a character. “You don’t change when you go through the door at home or out onto this stage,” said Petty. “What a load of shit. I mean, it’s you, man.”

Petty encouraged Crowe to get more into directing

In the documentary’s final section of new outtakes, Crowe talks about how Petty was playing a few songs on the bus while the band was on the way to the “You Got Lucky” video shoot. Petty asked a hesitant Crowe, whose role so far was mostly just to act like a journalist on camera, to grab the camera and shoot him performing the songs. “Great, you’re a director,” Petty simply said to Crowe. The rest was history.

Find out more info about the Heartbreakers Beach Party screenings here.

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