James Francies’ Second Blue Note Album, ‘Purest Form’ Is Out Now
The new record features other rising stars from the Blue Note stable, including Joel Ross and Immanuel Wilkins.
James Francies has released his second Blue Note album Purest Form, an expansive opus which finds the pianist, producer, and composer accessing intimate chambers of his artistry across 14 tracks that interpret love, grief, frailty, and fortitude. You can watch Francies discuss Purest Form on the latest episode of “First Look” with Blue Note President Don Was below.
The album’s core trio includes Francies’ longtime collaborators Burniss Travis on bass and Jeremy Dutton on drums—three Houston-raised artists who have been playing together and developing alongside one another for more than a decade. Additional musicians featured throughout include his Blue Note labelmates alto saxophonist Immanuel Wilkins and vibraphonist Joel Ross, as well as guitarist Mike Moreno and vocalists Elliott Skinner, Peyton, and Bilal.
Since his debut album Flight entranced listeners in 2018, Francies has expanded personal explorations of sound bending and orchestral approaches to the music. Collaborations across stylistic realms — including those with Childish Gambino, Pat Metheny, Mark Ronson, The Roots, YEBBA, Chris Potter, Common, Eric Harland, Marcus Miller, DJ Dahi and Ms. Lauryn Hill — have enhanced his development and refined his sound.
In issuing Purest Form, Francies’ expression blooms across false borders of genre and style. He nurtures a celestial fascination with melody and texture. “Music, in its purest form, is an honest space we’re trying to get to where there are no preconceived ideas of what we think something should sound like,” he says. “When you really tap into who you are on the inside, musically and as a person, that energy supersedes anything else.”
For the artist himself, Purest Form is more than a recording. It’s an essence. “I hope that what I was trying to go for — an immersive, multidimensional experience — really reaches people. I hope that for 56 minutes, they step into this world of sounds and textures. That’s the idea. And [laughs] I hope it sounds good on every speaker.”
