Charles Lloyd Announces ‘Trios: Ocean,’ Shares ‘Jaramillo Blues’
The project will be released on September 23 via Blue Note Records.
On September 23, Charles Lloyd will release Trios: Ocean, the second album in his Trio of Trios series, an expansive project that presents the legendary saxophonist and NEA Jazz Master in three different trio settings.
Trios: Ocean, which features Lloyd with pianist Gerald Clayton and guitarist Anthony Wilson, is previewed today with the single “Jaramillo Blues (For Virginia Jaramillo and Danny Johnson).”
The first album in the series, Trios: Chapel featuring guitarist Bill Frisell and bassist Thomas Morgan, was released on June 24, and the third, Trios: Sacred Thread featuring guitarist Julian Lage and percussionist Zakir Hussain, will come out on November 18.
The three albums will be released individually on vinyl and CD and can also be ordered as a 3-LP vinyl boxset exclusively on the Blue Note Store. The Trio of Trios vinyl boxset comes in a hardcover slipcase with four lithographic prints featuring the three striking album covers by Dorothy Darr and a signed lithograph of the box set artwork. Fans who order now will receive the slipcase, lithographs, and Trios: Chapel vinyl with the subsequent albums delivered upon their release.
The Ocean Trio was recorded in the 150-year-old Lobero Theater in Lloyd’s hometown of Santa Barbara, California. It was live streamed without an audience on September 9, 2020, during the first year of the global pandemic. Lloyd was joined by Gerald Clayton on piano and Anthony Wilson on guitar, both sons of famous musician fathers–Gerald is the son of West Coast bass legend John Clayton, while Anthony is the son of celebrated bandleader, trumpeter, and composer Gerald Wilson, in whose big band Lloyd once played when he moved from Memphis to study at the University of Southern California when in his teens.
The blues have always been woven into Lloyd’s musical vocabulary, its influence sometimes overt and sometimes covert, both occurring in “Jaramillo Blues.” The piece—which is dedicated to the painter Virginia Jaramillo and her husband, sculptor Daniel Johnson—can be traced back through a timeline that leads back to Lloyd’s teens when he played alongside such blues masters as Howlin’ Wolf, Bobby ‘Blue’ Bland and B. B. King. This is a blues of an optimistic hue with Clayton’s bright, rootless chords providing an introduction to Lloyd’s flute, who sets mood and tone of the performance.
