‘Yo! Bum Rush The Show’: Public Enemy’s No-Holds-Barred Debut Album

‘Feels Like Home’: No Sophomore Blues For Norah Jones

‘Don’t Shoot Me I’m Only The Piano Player’: How Elton John Fired A Classic

Fusion Meets Doo-Wop For A Tasty Treat In Frank Zappa’s ‘Burnt Weeny Sandwich’

‘High On The Happy Side’: Wet Wet Wet’s Reasons To Be Cheerful

Ella’s Defining Record: ‘Ella Fitzgerald Sings The Cole Porter Songbook’

‘The Woman In Me’: How Shania Twain Revealed Her True Potential

‘Infinity On High’: How Fall Out Boy Rose Above The Alt.Rock Competition

‘Dino: Italian Love Songs’: Dean Martin’s Love Letter To Italy

‘Wonderful Crazy Night’: The Magic Of Elton John In Full Creative Flow

‘Goodbye’: Cream Say Farewell With Final Studio Album

‘The Delta Sweete’: Bobbie Gentry’s Ambitious Concept Album

‘One World’: The Chart Debut That Took John Martyn A Decade

‘House Of The Blues’: John Lee Hooker’s Album Arrival, In His 50th Year

‘Control’: How Self-Assertion Made Janet Jackson An Icon