‘Death Magnetic’: Metallica’s Compelling Creative Rebirth

‘Shine’: Frida’s Last Solo Album Of The 80s Still Sparkles

‘La Futura’: How ZZ Top Found A Brand New Groove With Rick Rubin

‘New Adventures In Hi-Fi’: How R.E.M. Expanded In All Directions

‘Wild Is The Wind’: Nina Simone’s Typically Genre-Crossing Proclamation

‘Dust And Dreams’: How Camel Found The Promised Land

‘Live In Cook County Jail’: Capturing B.B. King’s Electric Live Act

Iggy Pop’s ‘Lust For Life’: 10 Things You Didn’t Know

‘The London Muddy Waters Sessions’: Muddy And A Stellar Studio Cast

‘Native Invader’: Tori Amos’ Uncompromising Album Took No Prisoners

‘Cut’: Why The Slits’ Debut Album Was A Snip Above The Rest

‘Frank Sinatra Sings For Only The Lonely’: An Emotional Bombshell

Ollie And The Nightingales’ Self-Titled Album: A Landmark Stax Recording

‘Sneakin’ Sally Through The Alley’: Robert Palmer’s Slinky, Soulful Solo Debut

‘… And Justice For All’: How Metallica Won The Verdict And Went Mainstream