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‘White Light/White Heat’: How The Velvet Underground Foretold The Future
January 30, 2025
‘The Stone Poneys’: The Early Folk-Rock Adventures Of Linda Ronstadt
January 30, 2025
A Face We’ll Never Forget: British Pop-Rock Figurehead Steve Marriott
January 30, 2025
‘Not Too Late’: Three-Time Winner Norah Jones’ Daring Triumph
January 30, 2025
Mod’s Artful Dodger: Steve Marriott’s Legacy Is Alive And Well
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Get Back: The Beatles’ Rooftop Performance
January 30, 2025
‘What We Did On Our Holidays’: Fairport Convention Find Their Sound
January 30, 2025
Charley Crockett Signs To Island Records, Announces New Album
January 30, 2025
Branford Marsalis Sets His Blue Note Debut With New Record ‘Belonging’
January 30, 2025
Sam Fender Shares ‘People Watching’ Video Starring Andrew Scott
January 30, 2025
‘Bridget Jones’s Diary: The Mixtape’ To Arrive Alongside New Film
January 29, 2025
Roland Kirk’s ‘Now Please Don’t You Cry, Beautiful Edith’ Receives Vinyl Reissue
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Nine Inch Nails Announce International ‘Peel It Back’ Tour
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Selena Quintanilla Documentary, ‘Selena Y Los Dinos,’ Premieres At Sundance Film Festival
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‘Wild Is The Wind’: Nina Simone’s Typically Genre-Crossing Proclamation
‘Dust And Dreams’: How Camel Found The Promised Land
‘Live In Cook County Jail’: Capturing B.B. King’s Electric Live Act
Iggy Pop’s ‘Lust For Life’: 10 Things You Didn’t Know
‘The London Muddy Waters Sessions’: Muddy And A Stellar Studio Cast
‘Native Invader’: Tori Amos’ Uncompromising Album Took No Prisoners
‘Cut’: Why The Slits’ Debut Album Was A Snip Above The Rest
‘Frank Sinatra Sings For Only The Lonely’: An Emotional Bombshell
Ollie And The Nightingales’ Self-Titled Album: A Landmark Stax Recording
‘Sneakin’ Sally Through The Alley’: Robert Palmer’s Slinky, Soulful Solo Debut
‘… And Justice For All’: How Metallica Won The Verdict And Went Mainstream
‘Ella Fitzgerald Sings The Duke Ellington Songbook’: Where Legends Meet
‘Night Visions’: How Imagine Dragons’ Debut Album Looked To The Future
‘Strait Country’: Why George Strait’s Arrival Marked A New Era For Country
‘Revelations’: Why The Final Audioslave Album Remains Full Of Surprises
More reDiscovered Albums
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