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‘Flashpoint’: The Rolling Stones Rock The World With ‘Undiminished Soul’
April 20, 2025
Best Reggae Producers: 10 Pioneers Of Jamaica’s Musical Legacy
April 20, 2025
‘Oh! Darling’: The Story Behind The Beatles’ Song
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‘Ain’t No Mountain High Enough’: Marvin And Tammi’s Towering Pop Classic
April 20, 2025
‘So Far Away’: Dire Straits Serve The First Taste Of ‘Brothers In Arms’
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Best Lionel Hampton Songs: 20 Jazz Essentials
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‘Bling Bling’: How B.G.’s ‘Chopper City In The Ghetto’ Became Famous
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Robbie Robertson Posthumous Memoir, ‘Insomnia,’ Announced
April 18, 2025
Doechii Shares Vevo Footnotes Video For ‘Denial Is A River’
April 18, 2025
The Unifics’ ‘Sittin’ In At The Court Of Love’ Deluxe Edition Hits Streaming
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Roland Kirk’s ‘We Free Kings’ Set For Reissue
April 18, 2025
Mariah Carey and Vevo Footnotes Celebrate ‘We Belong Together’
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Quincy Jones Celebrated With Several New Rereleases
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Lil Wayne Releases Instrumental Version Of ‘She Will’
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‘Ill Na Na’: How Foxy Brown’s Debut Album Changed The Game For Women In Hip-Hop
Audioslave’s Debut Album: A Vital Record That ‘Sounded Transcendent’
‘Achtung Baby’: U2 Spring A Sonic Surprise On The 1990s
‘Day & Age’: How The Killers’ Diversity Defined A Decade
‘L’Homme À Tête De Chou’: Serge Gainsbourg’s Head-Twisting Noir
‘Reload’: How Metallica Outgrew The Limitations Of Thrash
‘Radio’: LL Cool J Turns Up the Volume and Becomes a Star
‘Brainwashed’: George Harrison’s Poignant Final Album
‘The Lamb Lies Down On Broadway’: Genesis’ Finest Hour?
‘The Fall’: How Norah Jones Rose To New Artistic Heights
‘Setting Sons’: Ushering In A New Dawn For The Jam
How ‘Miles: The New Miles Davis Quintet’ Put The Legendary Trumpeter On The Map
‘2001’: Why Dr. Dre’s Second Album Remains A Timeless Classic
When John Mayall Reached ‘The Turning Point’
‘Licensed To Ill’: How Beastie Boys Killed It In The 80s
More reDiscovered Albums
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