‘Native Invader’: Tori Amos’ Uncompromising Album Took No Prisoners

‘Cut’: Why The Slits’ Debut Album Was A Snip Above The Rest

‘Frank Sinatra Sings For Only The Lonely’: An Emotional Bombshell

Ollie And The Nightingales’ Self-Titled Album: A Landmark Stax Recording

‘Sneakin’ Sally Through The Alley’: Robert Palmer’s Slinky, Soulful Solo Debut

‘… And Justice For All’: How Metallica Won The Verdict And Went Mainstream

‘Ella Fitzgerald Sings The Duke Ellington Songbook’: Where Legends Meet

‘Night Visions’: How Imagine Dragons’ Debut Album Looked To The Future

‘Strait Country’: Why George Strait’s Arrival Marked A New Era For Country

‘Revelations’: Why The Final Audioslave Album Remains Full Of Surprises

‘ESP’: How The Bee Gees Took Their Hitmaking Vision Into A New Era

‘Comeback Season’: How Drake’s Second Mixtape Brought Crossover Success

Brian Eno’s ‘Another Green World’: A Portal To New Worlds Of Sound

‘Stories Of Johnny’: How Marc Almond Came Out Of His Shell

‘The Clones Of Dr. Funkenstein’: Parliament Unleashes An Intergalactic Funk Classic