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Blind Willie McTell’s Miraculous ‘Last Session’
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Best Music Arrangers: 20 Artists You’ve Heard But Not Seen
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Best Motown Beatles Covers: When Motown Met The Beatles
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‘Waterloo’: When ABBA Stormed The Singles Chart
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‘Strangeland’: The Story Behind Keane’s Uplifting Fourth Album
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‘All The Time’: The Temptations Make A Soulful New Mark
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‘Pornography’: How The Cure Made One Of Rock’s Most Extreme Records
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Buddy Guy, Junior Wells, and Junior Mance’s Buddy And The Juniors To See Reissue
May 2, 2025
Vandelux Remixes Motown Classic ‘Ain’t No Mountain High Enough’
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Reba McEntire To Host 60th ACM Awards
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Engelbert Humperdinck Announces US Live Shows, Celebrates 89th Birthday
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3 Doors Down’s ‘The Better Life’ Set For Vinyl Reissue
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Baby Face Willette’s ‘Stop And Listen’ To Be Released Via Blue Note Classic Vinyl Series
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‘Mirage’: The Album That Brought Camel Into Focus
‘War’: U2’s Declaration Of Intent With Third Album Statement
‘Black Radio’: How Robert Glasper Captured The Black Creative Diaspora
‘Camel’: Camel’s Confident Album Debut
‘i like it when you sleep…’: How The 1975 Started Living The Dream
‘The Great Rock’n’Roll Swindle’: Is Pistols’ Soundtrack Burglary Or Bounty?
‘Come Away With Me’: Revisiting Norah Jones’ Breakout Debut Album
‘Lights’: How Ellie Goulding Shone Bright On Her Debut Album
‘Pink Moon’: Finding Hope In Nick Drake’s Bleak Masterpiece
Reading Between The Bars On Elliott Smith’s ‘Either/Or’
‘Against The Wind’: A Bob Seger Classic Of Ballads And Barnburners
‘Spookshow International Live’: The Bare-Bones Rob Zombie Experience
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‘The Slim Shady LP’: Eminem’s Warning Shot At Hip-Hop
‘Stonedhenge’: Ten Years After’s Monument To The Late 1960s
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